Power and a record on A
Wake the decks and put your first record on.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Open the decks page and tap Load a song on deck A.
- Pick a song from this device. It stays on this computer.
- Watch the name appear under Deck A.
- Put a finger on the platter and turn it. Listen.
Do the steps. Then write what happened, in one or two lines.
What did you hear when you turned the platter slowly?
What happened to the sound when you held the record still?
Where does the song live while you play it? (Hint: read the footer.)
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
One thing I learned about a turntable today:
Play, stop, the platter
Start the motor, watch the record turn, and stop it.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Press Start on deck A.
- Watch the platter and the white line on the waveform.
- Count to three, then press Stop.
- Do it again. Notice how the record slows down.
Do the steps. Then write what happened, in one or two lines.
Does the music stop at once, or does it slow down first?
Where on the waveform is the loudest part of your song?
Why does a real record keep turning for a moment after you press Stop?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
The platter is like…
The crossfader
One slider chooses which deck the room hears.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Start deck A.
- Slide the crossfader all the way to A. Listen.
- Slide it to the middle. Then all the way to B.
- Slide it back slowly while you listen.
Do the steps. Then write what happened, in one or two lines.
What did you hear with the fader all the way on B and only A playing?
In the middle, was A quieter, louder, or the same?
Draw where the fader sits when you want to hear both decks the same.
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
The crossfader lets me…
Cue a record on B
Load deck B and mark the spot you want to start from.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Load a second song onto deck B.
- Tap the waveform where the beat starts.
- Press Set cue.
- Hold CUE. Let go. The record jumps back to your mark.
Do the steps. Then write what happened, in one or two lines.
Where did you put your cue point, and why there?
What happens the moment you let go of CUE?
Name two places in a song where a cue point would be useful.
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
A cue point helps a DJ because…
What BPM is
Beats per minute: how fast a song walks.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Start deck A. Find the BPM number on the right.
- Start deck B. Find its BPM.
- Tap TAP on the beat four times. Watch the number.
- Write both numbers in the grid below.
Do the steps. Then write what happened, in one or two lines.
Which song is faster? How can you tell without the number?
Clap along to A. Is it easy or hard to stay with it?
A song is 90 BPM. How many beats in one minute? In two?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
BPM means…
The pitch fader
Push it and the song speeds up. Pull it and the song slows down.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Start deck A.
- Slide the gold Pitch fader up. Watch the BPM.
- Slide it down. Watch the BPM again.
- Put it back to 0%.
Do the steps. Then write what happened, in one or two lines.
What changed in the sound when you pushed pitch up?
Did the voice change too? (Try KEY on and off.)
If A is 100 BPM and you push pitch to +5%, what is the new BPM?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
The pitch fader is for…
Beatmatch by ear
Make B walk at A's speed, no SYNC, within 2 BPM.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Start both decks. Make sure SYNC is off.
- Listen to A. Listen to B. Which is faster?
- Move B's pitch a little at a time.
- Stop when the two BPM numbers are within 2 of each other.
Do the steps. Then write what happened, in one or two lines.
Before you looked at the numbers, could you hear which one was faster?
What does it sound like when the beats drift apart?
What is one thing your ears can do that the SYNC button cannot?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
Beatmatching is hard because… / easy because…
The EQ: bass swap
Two songs, one bass. Cut it on one deck and give it to the other.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Tap Full bench. Start both decks, fader in the middle.
- Press KILL LOW on deck B. Listen.
- On a downbeat, press KILL LOW on A and release it on B.
- Press FLAT on both to reset.
Do the steps. Then write what happened, in one or two lines.
With both basses on, what did the mix sound like?
What did the green curve do when you pressed KILL LOW?
Why do two basses at once sound muddy?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
I cut the bass on one deck so that…
A clean blend
Slide from A to B so slowly that nobody notices the change.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Beatmatch B to A first (Lesson 7).
- Set Fader to Blend. Put it all the way on A.
- Count 8 bars, then slide to B over 4 slow seconds or more.
- Stop A when the fader is all the way on B.
Do the steps. Then write what happened, in one or two lines.
Was there a moment where both songs sounded like one? When?
What would make the blend smoother next time?
How many bars should a blend last? Why?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
A clean blend feels like…
The cue point and the drop
Start B exactly on the one, from the mark you set.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Find beat one of a phrase on B. Press Set cue.
- Hold CUE a few times to hear it. Let go.
- Start A. Count the bars: 1-2-3-4, 2-2-3-4…
- On the one of the next 8 bars, press Start on B.
Do the steps. Then write what happened, in one or two lines.
Did B land on the one? How could you tell?
What helps you feel where the one is?
What does a DJ mean by 'the one'?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
Dropping on the one matters because…
The baby scratch
Push the record forward, pull it back, on the beat.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Start B as your beat. Crossfader in the middle.
- Find a loud sound on A. Set a cue there.
- Hold the platter on A. Push forward, pull back.
- Do it four times with B's beat: one and two and.
Do the steps. Then write what happened, in one or two lines.
What sound did the pull back make?
Which was easier to keep in time: the push or the pull?
Who is said to have invented the scratch, and how? (Look it up below.)
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
Scratching feels like…
The cut
Flick the crossfader open and shut, fast.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Set Fader to Cut. Start both decks.
- Put the fader on A.
- On a beat, flick it to B and straight back.
- Try it every other beat for 8 bars.
Do the steps. Then write what happened, in one or two lines.
How is Cut different from Blend when you move the fader?
What did a fast flick sound like? Slow?
When would a DJ choose a cut instead of a blend?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
I would use a cut when…
Phrasing: 8 bars, 16 bars
Songs move in groups of 8 bars. Count them and you know what comes next.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Start A. Count 4 beats to a bar: 1-2-3-4.
- Count 8 bars. Did something change in the song?
- Count to 16. Mark the change in the grid.
- Press the 4-bar loop. Hear the bar lines on the waveform.
Do the steps. Then write what happened, in one or two lines.
At bar 8 or 16, what came in or dropped out?
Does your song always change on the 8? Where didn't it?
Count the bars in the chorus of a song you like. How many?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
Counting bars helps me…
An intro, a build, a drop
Close the filter, add echo, then open it all up on the one.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Full bench. Start A.
- Slide the blue Filter left over 8 bars. The song goes muffled.
- Slide Echo up for the last 2 bars.
- On the one: filter back to the middle, echo to zero.
Do the steps. Then write what happened, in one or two lines.
What did the filter take away first: the drums or the voice?
How did the drop feel when everything came back?
Name a song with a build and a drop. Where is the drop?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
A build makes people…
Plan a 3-song set
Line up three songs in the crate and decide the order.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Tap Add songs under Up next. Pick three.
- Read each BPM. Put the slowest first or the fastest first: your call.
- Fill in the set list below: song, bars to play, BPM.
- Send song 1 to A and song 2 to B.
Do the steps. Then write what happened, in one or two lines.
Why did you choose this order?
Where will each blend happen? (Which bar?)
What should the last song of a set do for the room?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
The story my set tells is…
Perform the set
Press Record and play your three songs the way you planned.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Song 1 on A, song 2 on B. Beatmatch them.
- Press Record. Start A.
- Blend to B where you planned. Load song 3 onto A.
- Blend to A. Press Stop recording.
Do the steps. Then write what happened, in one or two lines.
Which blend went best? What made it work?
Where did you lose the beat, if you did?
What did you do when something went wrong mid-set?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
Next time I perform I will…
Record, save, hand it in
Save your take as a .wav and turn in this sheet.
Use two of them in a sentence.
Do these on the decks page. The lesson panel there checks each one off.
- Find your take under the crossfader. Play it back.
- Tap Save as .wav. Keep the file somewhere you can find it.
- Write the name of the file in the grid below.
- Type your name at the bottom and tap FINISHED.
Do the steps. Then write what happened, in one or two lines.
Listen to your take. What do you hear that you did not notice while playing?
What is one thing a listener would like about your set?
Why does the site save your take as a .wav and not send it anywhere?
Set list, bars to play, BPM. Fill in what you used today.
| Song | Bars | BPM |
|---|---|---|
My set, in one sentence: