The Interior — English

Concision and Style

Now you turn all of it on your own prose. Concision is not brevity — that is the distinction the whole room rests on. The rule is that every word does work, not that there are fewer words, and the difference matters because the fastest way to shorten a sentence is to delete a qualification, which makes it briefer and dishonest at the same time. So you learn two cuts that look identical and are not: removing deadwood, which costs nothing, and removing a hedge, which costs the truth. After that, style — which is not decoration you add at the end but the accumulation of decisions you have already been making, whether or not you noticed. Five tabs — cards for cutting, verbs and rhythm, hints with the deletion test, a quiz built on pairs where only one cut is honest, and a workshop where you cut a paragraph and defend what you kept.

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Start Here

Start here

Two cuts that look identical

One sentence, three phrases. Two of them look like padding — short, faintly hesitant, the kind of thing a reviser deletes without thinking.

What people get wrong

People often think…

I cut two hundred words, so the draft is tighter.

People often think…

It still reads well after the cut, so the cut was fine.

People often think…

I will write it plainly first and add style at the end.

Delete it, read it, weigh the claim

Watch one

Cut: “It is important to note that the investigation was carried out in a manner that was consistent, in most cases.”

  1. “It is important to note that” is throat-clearing — the noise made while deciding what to say. Delete it and note the thing.
  2. “Was carried out in a manner that was consistent” is a buried verb inside a noun phrase. Freed: was conducted consistently.
  3. “In most cases” looks like more of the same and is not — it is the limit on the claim. Delete it and you assert the investigation was consistent everywhere.
  4. Result: “The investigation was conducted consistently in most cases.” Eighteen words to nine, and the claim is the same size.
One sentence, then you move on

Why will aiming at brevity eventually make a writer dishonest?

Last one — then you're done here

Cutting your own hedge and cutting one inside a quotation are the same keystroke. Why are they not the same act?

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