The whole course on one page, band by band: every unit with its chapters, sections and numbered lessons. Tap a lesson to open it. A tick means you got all three checks right.
The storyThe Sentence That Holds the Hive Together — A class reads an article about honeybees, and one student finds the sentence that every other sentence leans on.
The storyThe Story That Told You Its Ending First — A three-page story from 1894, read once for the shock and once more for the clues, changed how one reader reads everything.
The storyOne Block Apart, Two Different Fires — On the night of October 8, 1871, Chicago began to burn. Two neighbors watched the same flames and wrote two very different accounts.
The storyThree Students, One Bell — Should the school day start later? Three seventh graders stand up to argue. Only two of them brought anything to back it up.
The storyThree Captions, One Photo — A picture of a flooded street races across phones with three different stories attached. Only one student goes looking for where it came from.
The storyThe Test Word She Had Never Studied — A seventh grader meets a word on a biology test that was never on the study guide, and a stem from English class takes it apart.
The storyThe Classroom Was a Zoo — One sentence on the board, one word circled, and a class spends a period discovering how much a single word can carry.
Drawn scene: a kitchen table at night with Grandma seated under a hanging lamp, a plate and cup set before her, and a giant golden comma hovering in the window's navy dark
Drawn scene: a chalkboard where one thesis line has been written and struck out four times and stands clean the fifth, beside a window opening on a warm kitchen memory with a kettle
The storyFive Tries at One Sentence — A teacher writes a thesis on the board, erases it, and writes it again until it finally says something worth arguing.
The storyThe Kitchen, Twice — One student writes the same memory as a paragraph and then as a poem, and discovers that the shape changes what the memory means.
Drawn scene: an Elizabethan thrust stage with pillars and a painted canopy, two figures facing each other on the boards, and a yellow autumn wood with two roads diverging beyond
The storyThe Line Everyone Gets Wrong — A poem about a fork in the woods gets printed on posters and read at graduations, and almost nobody notices what it actually says.
The storyTwo Speeches and a Crowd — In the middle of Shakespeare's Julius Caesar, two men speak over the same dead body, and the second one turns a city upside down.
Drawn scene: the Gettysburg field under a navy sky with a lectern on a platform, a wide crowd of silhouettes with hats, flags on poles, and a lone speaker on a soapbox
The storyTwo Minutes at Gettysburg — On a November afternoon in 1863, the famous speaker talked for two hours. Then the president stood up and spoke for about two minutes.
The storyA Perfectly Reasonable Suggestion — In 1729 a respected Irish clergyman published a calm, well-organized essay proposing that poor families sell their babies as food.
The storyOne Claim, Three Ways — A poster, a newspaper column and a school-board speech all say high school should start later. Only one of them shows its work.
Drawn scene: a low stone wall running between an apple orchard and a pine field, with a chemistry flask and an unrolled scroll resting on the wall in the golden light
The storyThe Word That Flew Away From the Center — A tenth grader is stuck on a chemistry quiz until a line of Latin from English class floats back to her.
The storyTwo Men, a Wall and a Question — Robert Frost's poem about repairing a stone wall seems to be about stones, until the reader notices what the stones stand for.
Drawn scene: a campaign banner torn into three uneven pieces hanging from a rope, a courtroom gavel on its block, and a will with a red seal on a dark desk
Drawn scene: eight books stacked on a research desk with three of them glowing gold, a green-shaded lamp, an open notebook and a pen under a tall window
The storyEight Sources, Three Survivors — A student types a question into a search bar, gets eight promising results, and then does the hard part: asking each one to prove itself.
The storyThe Dictionary Opening — A student's essay begins the way ten thousand essays begin, with a definition. Then he rewrites the first paragraph, and the whole essay wakes up.
Drawn scene: a barred jail cell window at Concord opening on a moonlit pond and pines, a raven perched on the sill, and a cot and candle inside the stone cell
The storyThe Man Who Says He Is Not Mad — A story from 1843 opens with a narrator arguing with you before you have said a word, and the argument is the whole point.
The storyOne Night in the Concord Jail — In the summer of 1846 a man who lived in a cabin by a pond refused to pay a tax, spent a night in a cell, and turned the night into an essay that reached Gandhi and King.
Drawn scene: a long sentence as a golden ribbon looping across a navy field, a short one as a string of cream beads below it, and a pair of open scissors
The storyTwo Paragraphs, One Room — A teacher hands out two descriptions of the same hospital waiting room, written by two students, and asks the class which one is nervous.
The storyThree Hundred Words Become One Hundred Twenty — An editor sits down with a student's paragraph, a pencil and one rule: nothing leaves the page unless the idea it carried is still there when it is gone.
Drawn scene: Jefferson's portable writing desk with a draft page of lines and thick cross-outs, a quill in an inkwell, a candle, and a small bar graph card propped beside it
The storyThe Number Was True. The Conclusion Was Not. — A driver hears a real statistic on the radio, reasons from it carefully, and reaches a conclusion that is exactly wrong.
The storyThe Lines Jefferson Crossed Out — A rough draft in the Library of Congress shows the most famous argument in American history being edited, sentence by sentence, by a committee.
Drawn scene: two publishers' stone buildings facing each other across a street with a giant comma standing between them, an envelope and a cover letter on the cobbles
The storyThe Same Sentence, Two Ways — A writer sends one acknowledgments page to two publishers, and a single comma turns her parents into a punchline.
The storySixty Letters and One Word — A hiring manager reads a stack of cover letters on a Friday afternoon, and one of them ends before the second sentence.
Drawn scene: a lectern with a projector beam throwing a Chicago neighborhood map with the lake edge onto a screen, rows of seated silhouettes and one raised hand
The storyTwelve Sources for One Street — A senior asks why a Chicago neighborhood kept a Czech name after most of the Czech families left, and the answer is not in any one place.
The storyThe First Question Is the Hard One — Twelve minutes to present a semester of work, and then the floor opens to a room that has been waiting to ask.
The course follows the Illinois Learning Standards for English Language Arts, band by band — units, chapters, sections, numbered lessons — in original text written at each band’s reading level. Every lesson has a main idea, a reading with key words you can tap, a model text, a source or a scenario to think through, and three checks. Every quoted text is in the public domain.
Progress ticks live on this device only. Print any unit page for a paper copy.